"Merebut Hari" – Learning to Seize the Day

One girl's adventures in Bali

Secret of my soul

I love to travel alone. I love the rush of being on the go, the spaces “inbetween” two existences; two worlds- and the magical experience of movement. Migration is distinctly part of the human experience, its in our blood to move to where we are most able to survive, or more so– thrive. I seemingly find myself moving from place to place in search of identities and understanding of self and others, and in all that an itch for greater connectivity to the world, myself, and that which I do not yet understand.

This quest for identity seems to be one that follows me everywhere. This question of “identity” is one I am discussing in relation to one of my paintings, which will be on display this weekend at Mela. Mela is a production by Brandeis’ South Asian Students Association in which they perform and display artistic interpretations of South Asian culture- this year, on the theme of identity. I’m currently on my way to New York to visit an old friend and explore some art with studio friends, and  can’t be at the show. I’m sad that I can’t see the incredible performances and displays of a culture so deeply a part of my being, but I am honored to have my painting displayed for the show.

They asked me to write a bit about the piece, and as I struggled to create it, I struggle to discuss it. When I was asked to display the piece, I was also asked if it was related at all to their theme of identity. Without question, I responded “Of course.” Without a doubt it’s an identity piece. Everything I do is an identity piece. Every canvas is a mirror.

It brought me back to this quote I used in my blog upon returning from India, one that I feel is incredibly relevant to not only my attempt to discuss my painting, but to the fact that my show is soon and I’m struggling with what I want to create for it.

It speaks to the reality that I’m still processing Ireland and Bali and can’t seem to find a way for them to more actively come into my work. To the strange notion that any art can be about anything OTHER than one’s identity…

“Every portrait that is painted with feeling is a portrait of the artist, not the sitter. The sitter is merely an accident, the occasion. It is not he who is revealed by the painter; it is rather the painter, who, on the coulored canvas, reveals himself. The reason I will not exhibit this picture is that I am afraid that I have shown in it the secret of my soul” – Oscar Wilde, The Picture of Dorian Gray

“All art is biographical” we’ve all heard the cliche. Of course what we make is a bit of who we are and our human condition. Each piece of work, be it writing, dance, lyrics, painting- is a snapshot into our human experience.

On this bus in the deep darkness of the autumn night I’m unsure how far I am from where I came from and how close I am to where I’m going. It’s a strange thing, movement, identity, self- in every act of of our day we’re going somewhere, we’re moving toward a goal, seeking a notch on the checklist; yet we’re often in the dark about how close we are to those big goals. For me, it’s this desire for greater understanding of that big thing we call ‘identity,’ which I seek in my art. How close am I to finding it, what will be on the wall in less than three weeks at the show?

All this motion, when do we stand still to look at it? We must become more aware.

art.

I am interested in why something is beautiful, not how to make something beautiful. I paint to destroy the painting. I paint to see something new. If an image is beautiful now it will be beautiful a thousand years from now and it was beautiful eons past.

What an artist thinks is far less important than what the artist paints. A fearsome warrior of art is one who paints regularly. Archetypal images lurk beneath the surface of everyday life. An artist paints to find them. Painting is experiment. When I make a discovery I move on. Painting is always about the future picture.

There are four worlds in which we live: the womb, the house, the Temple and the tomb. I paint in the Temple. The Temple is the home of what is not yet seen.

There are too many images in most paintings. Background, foreground, images, colors, lines, forms, etc. Gently remove everything unnecessary until what is left is art.

-RWILSON

hands.

my fingertips are covered in purples
blues and greens
like the ocean
—they are
deep in thought while I sit in class
peeling the
white gesso
from the soft beds of my fingernails-
gesso from the canvas I stretched that made me
bleed.
white surrender on my hands.
white flags
are all that’s left.

ink stained on my palms
the color of the first day of spring
and my kindergarden play
“stone soup”
the color of songs sung on sunday nights
the color of finding God.

These Hands are my peace.
They are the sign
that I have lived today
and yesterday
and all the days before that.

they remind me that the past is not to be run from
only to be understood in layers
and peeled
not always beautiful.

these Hands hold the songs of stories
gasping for breath
stories i still
don’t know how to tell

hold and you will see.

some photos.

Almost Gone.

He who would travel happily must travel light. – Antoine de Saint-Exupery

Whooooops! I did it again. That thing I do where I forget to update once things start getting really busy and good at the end of my trips abroad.

Yes, you heard it. Busy and good. Well, good is vague as is busy; I prefer, productive, exciting, fun and fulfilling.

I’ve seen some incredible sights in the past three weeks. I have met incredible people. I have explored coves, rice paddies, markets, construction sites, temples and the eyes of Balinese babies and children.

 I’ve given out 30+ thank you cards in the last week alone. Another 10+ today to the people at my work.

And yet, it doesn’t seem enough. Then again, when is it ever? The people here have given me more than I could ask for in their kindness, respect and understanding. Sometimes I am amazed that I am a 21 year old female traveling alone, and then I remember, the innate kindness of human beings. I am thankful for being able to see this in Bali in nearly all that I have met.

I am trying to focus on these last 5 days and not think about the pending challenges of coming home. Reverse culture shock. Moving back. Moving in. Classes.Work. Applications. Future plans.

And stop.

I’ve tried to stay light. To stay here. To keep my plans flexible. To keep my evenings open. To walk gently. To smile more. To do those things Ireland taught me to do: be present and at peace with that reality.

Tomorrow I am going to a kite flying celebration. A kite flying celebration!

Life is  a beautiful thing.

Photo post to come.

On the Move.

“All journeys have secret destinations of which the traveler is unaware.” – Martin Buber

I should have known this would happen. My travel seems to follow these patterns of behavior which are becoming predictable. Nothing is a given when you travel, especially, your plans.

I am on the move again.

It was decided yesterday between my supervisor and I that this whole motorbiking from Ubud to Kuta every day is too much stress. I come into work and spend an hour trying to calm down from the stress of the journey. I cough for two hours from the smog I ingest thanks to the cars and other bikes surrounding me at each stop light. I waste too much time traveling each day.

So last night she and I went on an adventure around Sanur trying to find places with vacancies. This became a sort of wild-goose chase as we drove slowly through the busy, tourist filled streets in the dark. Each time we saw a ‘vacancy’ or make shift ‘rent my house’ sign, we stopped.. often to find either 1. terrible conditions or 2. no vacancy at all.

To be honest, I really am not too keen on staying in Sanur. I know I curse being so far away in Ubud, but I really do love the peace and tranquility of the place, not to mention the system of friends and support that I have created. I won’t like waking up to continental breakfast without Cadek and Maymay. Who’s going to make sure I don’t burn my eggs while I make my juice?

This is why I am not going to be in Sanur for more than 3 days a week. I’ll go back to Ubud for the weekends so I can 1. spend time in quiet 2. spend time with my friends at taman bebek 3. paint.

I have been painting, which feels very good. You’d all love my makeshift studio made from the corner of my bathroom. I lean my brushes against the toilet. Oh the life of a starving artist.

Anyway, next week, I’ll have something figured out I hope.

Work is going well, I’m currently working on the design of 17 bathrooms for a villa project we’re doing. It’s kind of exciting. It’s also just a lot of sinks and toilets, but, I’ll take what I can get.

Right now I’m contemplating the piece of chocolate cake…

I’m going for it.

 

Kelsey watches Eat.Pray.Love. and has a lot to say.

So I did that thing today, where I went into town and spent money I don’t really have on things I don’t really need like bagels and Starbucks. Guilty.

I am also guilty of the bargain hunt- adding 12 more movies to the collection. It was only going to be 6 (buy five get one free, duh!) but then I saw another movie store and decided to check out their collection. (Kelsey, there are tons of movie stores in Ubud, this is a bad justification)

In every book store and every movie store, there is one thing I can guarantee you will find here in Bali. Behind the over-priced rack of postcards, there is always a display of one thing: Eat.Pray.Love.

I find the whole thing ironic, but it makes complete sense really. Elizabeth Gilbert is the reason why many people come to Bali. They search for some sort of enlightenment from the spiritual life here and for a handsome Brazilian or other form of foreign hottie to have their Balinese romance with. (I have yet to meet any Brazilians and there have been no Balinese romances, in case you have been keeping up.)

I read the book years ago, well before I ever thought I’d go to Italy,India and Indonesia. I dreaded the thought of a movie ruining my grandiose images of the story and therefore told myself I would never watch it.

Since my travels and the movie came out, I’d been told by numerous people to see it. My Priest even recommended I watch it, “Just for the scenes, Kelsey. The places you’ve loved and will come to love.”

I’ve never forgotten that he said that to me. What did he mean, the places I have loved? He said this to me before I left for Bali when we were in Rome, for a second time, this past Spring. I remember laughing cautiously.

My first trip to Rome with my Church group two years ago was my first trip out of the country. It was my first experience on a plane for more than 3 hours. It was my first time in a place where I didn’t use the dollar and English became for extended periods of time, worthless. Rome was my first real exploration of wine, espresso and my spirituality: three things that have since become important, if not integral parts of my life. Rome was a beautiful gift that started everything.

And then there was India. Oh India, how you shook me. Only now, a year later, do I feel as though I can adequately begin to piece together how my life changed the moment I arrived in that sweaty airport. India taught me more than I can even begin to acknowledge. I felt so much pain and frustration in India, but with that, equal parts solitude and love. India made me want to see the world. India made me understand what lonliness and love are. India made me human.

Then I look at Bali.

I have cursed Bali nearly every day I have been here. I have cribbed about my internship. I have felt more alone than I ever have before, even more alone than I was in India. I have felt alienated by language. I have felt disgusted by the food. I have felt frustrated by the commercialism. I have cried about motorbikes. I have scoffed at paradise. I have forgotten why I came here.

Then I ask myself, why is it that I came here?

I should really have an answer to this. Brandeis is calling me tonight to check in to see where their $3500 investment has been up to and I’m sure they are going to ask this and many more questions I feel completely incapable of answering.

Right, my internship. I came here to study architecture. I came here to study design. I came here to study art.

But why Bali? I could have done this stuff anywhere. I could have easily gone back to India and worked there and have known the place and the people and where to get the best masala dosa. I could have avoided all this biking and crying crap and been comfortable.

I remember when the opportunity arose to come to Bali, I thought, more or less, what everyone thinks when a chance to be in a tropical paradise arises- I’d be stupid not to go. I mean, lets be real, I am a 21-year-old artist with the funding to back up a trip to anywhere. Why not go as far away as possible? I like the beach. Sign me up for an island get away!

And now, as I sit here, beyond my half way point, I wonder what I got myself into here. How is it that I still struggle with being alone so much? How is that I still can’t seem to find peace with my supervisor? Why haven’t I traded in my motorbike for a bicycle? Why am I spending so much time doing nothing in my room.

Yet, still, with all the obstacles between me and my enjoyment of Bali, I am, as most people are, completely enchanted with it.

This morning I woke up late so I missed the opportunity for a quiet kitchen to make my breakfast. I made a couple eggs in the midst of the chaos that is cooking breakfast for 6 different rooms here at the hotel, and was stopped by one of the women before I left the door. “Eggs is not enough. Here.” She threw three heaping spoonfuls of fried delicious, fresh rice on my plate. “I made extra for you.”

Last night I sat in the kitchen and watched two of the staff play cards. One man here loves to talk to me in his broken English. I often spend most of the time trying to clarify what he’s telling me. Like the other day when he told me that he wakes up for ceremony for the sun every day. What he was telling me about are his morning prayers for his dead son. The story last night was about how you’re by law, not allowed to play cards unless you’re in the temple together, because “playing cards makes Balinese people very happy Kelsey.” He was talking about gambling and he winked at me when he said, “that’s why we play cards even when we’re not in the temple.”

This is the first place I’ve truly wanted to learn the language.  Everyone tells me new words each day and laughs when I call “MayMay” “MeMe” because that’s the wrong way to say “Mother, Kelsey.” Yes, someone has decided she’s my Mother here. I struggle with trying to remember all the different greetings for morning, afternoon, evening and night, but I am always reminded with a smile when I ask.

Language is something that has always scared me. I’m bad at it. I barely even tried in India because I felt like I was always falling behind. Here, nobody tells me I am not doing well enough. Here, I am not in competition with anyone else to become the best Bahasa speaker. The only one here every day for sure, is me.

I don’t really have a reason why I came to Bali. If I get asked tonight, it’s obviously for my internship. To become more capable for a future career. To build my resume.

To be honest, I’ve done none of that.

I’m only building a self. A renewed self. One with a few more scars and a nearly empty bank account (cheap movies…) but one that is nonetheless, growing with each challenge.

A good friend of mine who helped me get to Bali has told me he is sorry that he sent me here, for all the trouble I have had. All the issues with my internship, my accident, my being so far away from my job and people here in Ubud.

It’s cliché. This whole story is, I know, but it’s my cliché to be true: each one of these challenges has made those late night conversations so much more powerful. It makes me that much more thankful for the mornings where someone stops my bacon from catching fire while I was beating my scrambled eggs. All the stress makes when I pick up my paintbrush (in my ‘studio’ which is also my bathroom) that much more refreshing.

I did not come to Bali for spiritual enlightenment or romance. I have had none of that here. I did not come to Bali broken, but somehow, I sometimes feel more fulfilled here than anywhere I’ve ever been.

And I will continue to call Maymay, Meme. I will still to struggle with my long bike rides to work. Tomorrow I have to confront my supervisor and I’m not looking forward to it. I will be lonely. But in between all those frustrating moments, I truly feel something special here. I’ve never felt it before.

I think it’s called peace.

Sharing.

“Sharing is loving”

Today when I handed Mr. Pande the 20,000 rupiah (<$2.50) for getting the lightbulb replaced on my bike, he handed me his cup of coffee. I told him I didn’t drink coffee, so he told me he would make me tea. I told him that wasn’t necessary, and only after a few minutes of convincing, did he go back to his work. Although he had already given me everything I could ask for (multiple rides to and from work, and a new lightbulb) he felt it was necessary when I gave something, to give something back.

Bali is like this. The Balinese people put a lot of emphasis on giving when receiving. I see this in the language I am learning- Thank you, or “terima kahsi” literally translates to “it is accepted with love.”

You’re welcome, or the formal, “Terima kasih kembali” translates to  “I’m returning the thanks.” The less formal, but still quite beautiful, “sama sama” means, “same to you.” We give, receive, and give back again in a never ending cycle of giving.

Today when I was making lunch, I made extra apple sauce for everyone to try. After everyone had a spoonful, they immediately filled a bowl with delicious nasi goreng. (nasi= rice, goreng = fried .. look at all my language skills!) as if they could not accept something from me without giving back.

I went to go work on some applications on the computer, and Cadek stopped me and told me that I had to sit with them and play cards. “Sit with us, be Balinese,” she said.

I have no clue how I will thank these people for becoming my family here in Bali.

 

direction from discomfort.

“Stripped of your ordinary surroundings, your friends, your daily routines, your refrigerator full of food, your closet full of clothes – with all this taken away, you are forced into direct experience. Such direct experience inevitably makes you aware of who it is that is having the experience. That’s not always comfortable, but it is always invigorating.” -Michael Crichton

Anniversary.

Tomorrow marks me and Bali’s one month anniversary. We aren’t throwing a party or being too vocal with our local friends about it because we haven’t had the best first month together- but we’re pretty sure that things will keep getting better because we’re trying really hard, together, to get it right.

It takes time to learn how to fit one’s preexisting self into a preexisting world.

It takes time to recognize that one cannot come in and expect to change a place or a people- rather, they will change you. Whether you ask for it or not. Our ‘preexisting selves’ often aren’t enough to live in a place foreign from who we are. This is the challenge of truly knowing a place, of becoming a part of a world, of submitting to its differences and letting go of ones prejudice. The realization that sometimes, change must occur.

These are all kinds of fancy ways to say that traveling changes us, at least, if we are willing to let it. In reality, we often have no choice. This is the greatest struggle- trying to balance our understanding of self with our new world.

Because foreign places aren’t afraid to pull every fear out of you. They aren’t afraid of pissing you off or making you upset. They certainly don’t care if they hurt you or push you to your limit. And they will. Being in a foreign place can pull every bit of your humanity out of you, throw it on the ground and run it over. Two, maybe even three times. (The worst I’ve heard of is four and a half)

But somehow, the people who live in that foreign place you are trying so terribly hard to become a part of will often take you in and hold you in their hearts. They won’t apologize for what’s happened- you are foreign to them too and well, you’re the one who came to their home- but they will comfort you. Because they’re human too. Because they have been there too- when they met their husband’s family for the first time, when they went to college in a different city, when they went to ceremony in a foreign village. Once you realize that they’ve been there too, everyone seems to get along much better. And suddenly, everything seems a little easier.

Because humanity is intrinsically understanding of itself.

Terima kasih, Bali- for reminding me of this.